arsvitaest:

Georgia O’Keeffe, Storm Cloud, Lake George, 1923, oil on canvasThe Georgia O’Keeffe Museum

arsvitaest:

Georgia O’Keeffe, Storm Cloud, Lake George, 1923, oil on canvas
The Georgia O’Keeffe Museum

Reblogged from arsvitaest with 173 notes

liquidnight:

Léon Gimpel
Vue Plongeante dan l’escalier du phare à paris-plage, 14 juillet 1914
From Leon Gimpel: Les Audaces d’un Photographe

liquidnight:

Léon Gimpel

Vue Plongeante dan l’escalier du phare à paris-plage, 14 juillet 1914

From Leon Gimpel: Les Audaces d’un Photographe

Reblogged from lushlight with 331 notes

workman:

quo-diapsalmata:

Apropos linkage: (in sync with perigee moon) Artists Ai Weiwei and Olafur Eliasson have launched their collaborative Moon project, an online platform where users are allowed to browse a rotating orb, gradually covering it with their own art drawings.  ”By connecting in spaces for imagination – by determining what to share and how to share it – we can create a greater outcome,”  the site reads.  

Read more at Moon

workman:

quo-diapsalmata:

Apropos linkage: (in sync with perigee moon) Artists Ai Weiwei and Olafur Eliasson have launched their collaborative Moon project, an online platform where users are allowed to browse a rotating orb, gradually covering it with their own art drawings.  ”By connecting in spaces for imagination – by determining what to share and how to share it – we can create a greater outcome,”  the site reads.  

Read more at Moon

Reblogged from workman with 37 notes

Reblogged from invisiblestories with 155 notes

newyorker:

The herbarium at the Natural History Museum in London contains nearly six million plant specimens, many of which are centuries old. Take a look at Nick Knight’s photos of some of the most visually alluring samples: http://nyr.kr/1woDLCZ
All photographs by Nick Knight/Schirmer/Mosel.

newyorker:

The herbarium at the Natural History Museum in London contains nearly six million plant specimens, many of which are centuries old. Take a look at Nick Knight’s photos of some of the most visually alluring samples: http://nyr.kr/1woDLCZ

All photographs by Nick Knight/Schirmer/Mosel.

Reblogged from newyorker with 633 notes

nearlya:

Liza Lou. Untitled , 2012, India ink on paper

nearlya:

Liza Lou. Untitled , 2012, India ink on paper

Reblogged from mirtleness with 887 notes


Louise Bourgeois
2006 

Louise Bourgeois

2006 

(Source: lelongdutemps)

Reblogged from ericatanov with 162 notes

pajonk:

S A Lieske

pajonk:

S A Lieske

Reblogged from workman with 666 notes

workman:

isis0isis:
Plate 055 by Hopkins Rare Books, Manuscripts, & Archives on Flickr.
Pattern Plates for the Mineral Conchology of Great Britain, Between 1810-1845 Location: The John Work Garrett Library Call No.: QL 425.G7 S69 1812 FOLIO Original archival hand colored pattern plates for James Sowerby’s”Mineral conchology of Great Britain, or, Coloured figures and descriptions of those remains of testaceous animals, or shells which have been preserved at various times, and depths in the earth.” This work was published over a 34 year period (1812-1846). The final parts were produced by his son James De Carle, with the help of George Brettingham. When complete, the published work contained 650 colored plates, each with a letter-press description, in seven volumes Copper plate engravings in black printing ink, hand colored with watercolor, with iron gall ink and graphite inscriptions.

workman:

isis0isis:

Plate 055 by Hopkins Rare Books, Manuscripts, & Archives on Flickr.

Pattern Plates for the Mineral Conchology of Great Britain, Between 1810-1845

Location: The John Work Garrett Library
Call No.: QL 425.G7 S69 1812 FOLIO

Original archival hand colored pattern plates for James Sowerby’s”Mineral conchology of Great Britain, or, Coloured figures and descriptions of those remains of testaceous animals, or shells which have been preserved at various times, and depths in the earth.” This work was published over a 34 year period (1812-1846). The final parts were produced by his son James De Carle, with the help of George Brettingham. When complete, the published work contained 650 colored plates, each with a letter-press description, in seven volumes

Copper plate engravings in black printing ink, hand colored with watercolor, with iron gall ink and graphite inscriptions.

Reblogged from workman with 24 notes

mephistophelia:


Albrecht Dürer, The Temptation of the Idler, or The Dream of the Doctor (detail), ca. 1498, engraving.

mephistophelia:

Albrecht Dürer, The Temptation of the Idler, or The Dream of the Doctor (detail), ca. 1498, engraving.

Reblogged from oldpainting with 918 notes

wasbella102:

By Eunice Kim

wasbella102:

By Eunice Kim

Reblogged from workman with 219 notes

biitumen:

whiskers   x

biitumen:

whiskers   x

(Source: mizisham)

Reblogged from workman with 67 notes

lifeinthelittlenest:

preludeoft

lifeinthelittlenest:

preludeoft

Reblogged from artpropelled with 4,931 notes

efedra:

Omar Galliani

efedra:

Omar Galliani

Reblogged from sealmaiden with 414 notes

Teaching Cancer to Cry